"I've learned everything by watching. Without those pictures we wouldn't exist either," says the male protagonist, in reply to his friend's question about his cross-dressing habits. This “road video,” dedicated to the “road movies” of Wim Wenders, aims to portray the sensibility and specificity of the 1980's rock generation in Slovenia / ex-Yugoslavia. The identity of this generation was represented, not through the psychology of an individual, but through the formation of a new visual and cultural space, via the recycling of stereotypes. Bare Spring also includes stereotypical, prototypical and typical images of women from Grzinic / Smid’s in collaboration with Mandic earlier video work Cindy Sherman, or Hysteria's Production Presents a Reconstruction of Sherman’s Photographs (1984).